Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
style magazine
IO UOMO – GESSATO FOREVER
Forever pinstripe. If it’s true that rules are made to be broken, it’s also true that the suit is the basis of menswear. Into reasonable limits, elegance of the past remains an unavoidable reference. Basing on many and different suggestions of fashion, we can opt for our favourite reference, avoiding others. Pinstripe is a classic: the picture I’ve chosen for this week has a cinematographic mood, inspired by Il Padrino. Not to highlight the vintage glamour of the pinstriped suit, choose a jacket with very wide lapels and add a rock touch, like the silver rings. And a clean grooming: no to long and blow-dried hair, no to pomade, yes to a military cut. But the last word is, as always, yours.
IO UOMO – SUA VANITÀ
His Vanity. Until the 60s, the only jewels allowed for men were cufflinks and the wedding ring. At most the tie clip, some used to wear the gold chain received for the first Holy Communion. Jewels became a trend for men in the 70s: young people drew inspiration from the rockstars, so the first silver bracelets started to peek out. Later there were the yellow gold bracelets, in form of rectangular plates matched with leather strings. From the years of minimalism on, the inspiration was punk and its symbologies. And from Slimane for Dior Homme and Margiela, to the funny creations by Paul Smith, and the jewelry collection by Dolce&Gabbana, many designers have indulged the most hidden side of men’s vanity.