Steven Meisel

VERSACE JEANS COUTURE 1997

May 1997: the concept of unisex fashion had already been strongly adopted by young people, but Shalom Harlow, photographed for Versace Jeans Couture adv by Steven Meisel, was there to remember how a denim men shirt could be feminine.

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DOLCE & GABBANA 1996

The spontaneity of a smile, nearly a grimace, and an irreverent gesture “make the pic”; with a dose of immagination, the effect is the same of a frame stolen by “Rocco and his brothers”. Neorealism, from Visconti’s movies to fhe history of fashion adv. Ph by Steven Meisel. He is Tony Ward.

HARPER’S BAZAAR UOMO 1993

La prima volta che ho visto David Boals era su una cover di Glamour Italia, fotografato da Meisel e rimasi letteralmente folgorato dalla sua bellezza. Ho lavorato spesso con lui negli anni ’90. Questa foto è tratta da un servizio di Judson Baker, il cashmere era di Fabrizio Del Carlo
The first time I’ve seen David Boals he was on the cover of Glamour Italia, he was shot by Meisel and  I was literally impressed by his beauty. In the nineties, I’ve often worked with him . This photo has been shot by Judson Baker, cashmere was by Fabrizio Del Carlo.

YESTERDAY IS NOW

La campagna Valentino scattata da Steven Meisel undici anni fa. Il set è chiaramente ispirato alle scene di “Occhi di Laura Mars (1978). Era il 2000 ma potevano essere gli anni ’70. E potrebbe essere oggi.

This campaign was shot by Steven Meisel for Valentino 11 years ago. It was clearly inspired by the movie “The eyes of Laura Mars” (1978). It was the year 2000 but it could have been the ’70s. And it could be today.

Foto tratta dal libroValentino. Temi e variazioni”. Picture from the book Valentino. Temi e variazioni“.

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