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SETTE MAGAZINE EN VOGUE IL SOTTILE LEGAME TRA FASHION E SPORT

Sport and fashion have a lot in common: nowadays is not hard to find athletes being dressed by designers and see fabrics that are generally being used for sportswear being used for everyday wear. Prada in the 90s has been the first experimenting with technical fibers and fabrics in outerwear and even in shirts that became stretched. It was Armani with Dolce & Gabbana and again Prada to design the uniforms for many sport disciplines. Dirk Bikkembergs since 2000 has dropped fashion design devoting himself to a “sport-couture” line. The bond between this two different worlds, a part from technical considerations, has surely helped eradicating the theory that labelled mens fashion as a gay thing for years.”The fact of having been dressing athletes for years, has helped getting men interested in the trend, smoothing the rough edges of that discriminating feeling” (cit. Stefano Gabbana).This week’s picture in a perfect example of how such an almost-fetish object as leather shorts, additionally black, can suddently become doable if used in a real context. Ex striker Nicola Ventola wearing Thierry Mugler’s napa leather shorts. Picture by Julian Hargreaves for “Uomo” 2002.

SETTE MAGAZINE EN VOGUE MINIMAL E OPULENZA CONTRADDIZIONI DI STILE

SETTE MAGAZINE EN VOGUE L’IRRESISTIBILE FASCINO DEL CARDIGAN

The most common alternative to a suit it’s a cardigan, which is a buttoned pullover. A woolen blazer instead of one made of cloth, makes your outfit look less severe, and helps you get a soft, reassuring figure. I only recommend not to wear this outfit if you want to dress to impress or if you’e about to have a meeting where you wish to show how confident and professional you are. In that case you should go for a suit. A short cardigan sweater, Is more related to a classic way of dressing, it defines your body structure and it always works, even for those shorter than average height. A longer cardigan which goes down over your belt, would fit more taller non-skinny men. Less common and more modern but harder to match (Never wear it with close fitting trousers for example). Giorgio Armani has been proposing it so many times because it well represents the Armani-man’s identity: not taller than 1.85 cm, with big shoulders and strong legs.You can see the result from yourself in the picture: it’s a timeless look. Hard to resist. Picture taken with Instagram from a 2001 “Uomo” editorial. Original picture by Norman Watson.

SETTE MAGAZINE EN VOGUE IRRINUNCIABILE DESIDERIO DI SETTANTA

YEARS OF LEAD

The 70s aesthetic has always been dear to me, and is not even just because of anagraphic reasons. I like it because it has been an expression of freedom. That generation had a strong desire to break up with the past and a need to think outside the boxes that was showing through their look. In the meantime the typical italian man, stereotyped as being manly with pomade in his hair, was disappointed. However, it has been a charming style revolution and we still do appreciate it, since cyclically it comes back into fashion. The first brand to ebrace that 70s look has been Louis Vuitton, which in 2000 chose a face for its new campign that could have been spotted out in a student demonstration. The model was Bill Gentle, who’s now a photographer living in the USA. Bill is also the sobject of this week’s picture, from an old 2002 “Uomo” editorial. The styling was all about the years of lead: when handmaded parkas and pullovers were considered “left wing” outfits. Picture taken with Instagram, original shot by Francesca Lotti for “L’Uomo” 2002. Eskimo coat by Fendi and pullover by Yohij Yamamoto.

SETTE MAGAZINE EN VOGUE. E’ NATA PRIMA LA MUSICA O LA MODA

It’s certainly not a secret anymore how fashion is being influenced by music and viceversa and I can’t really tell how did this all start. It is fascinating though how this two apparently far from each other worlds can cohabit, expecially when the spacetime distances are very large. In a fashion shooting contest, this kind of chemistry can bring outstanding results, like for the picture I chose this week, which has been published in 2006. Unbeknown to me, Michael Woolley demanded a “Kiss inspired” makeup, even if the styling was definitely not 70s. However, once I got on set I knew it would have worked. Stroke of genius or result of the deep cultural background of professionals that have been in the field for such long time. To be brave enough and radically change a concept at the last minute and to be able to see the good in a flash of genius, is part of the job. Is this unpredictable (and a bit misterious), side of it that makes it wonderful.