Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
paul smith
TENDENZE MFW TERZO GIORNO
EMPORIO ARMANI
Blu, bianco e tinte neutre. Forme morbide e linee cedevoli.
ETRO
Diverse lunghezze movimentano la silhouette. Sete e cotoni cangianti.
UMIT BENAN
8 letti, 8 coppie. Gli uomini si alzano, si vestono e sfilano.
BRIONI
Esercizi di tempo libero. Maglieria di seta, camicie di suede e sera color pastello tra partite a pétanque e pic nic al parco.
GUCCI
Una collezione che convive in totale armonia tra tendenza e sobrietà. Puntando verso un’allure d’altri tempi.
ICEBERG
Concentrata sul punto di forza d’origine del brand: la maglieria.
MSGM
Young, pop, fresca; terapeutica e creativa.
FRATELLI ROSSETTI
Collezione sofisticata e preziosa.
MOSCHINO
Fortemente Moschino: cangiante e pop. Ben fatti anche gli abiti.
Lusso totale, nel formale come nello sportswear e sopratutto negli accessori.
Fuori dal coro per l’assenza di colori forti. Simmetrica, razionale e chic.
Impeccabile e divertente al tempo stesso: un’impresa difficile in questo caso perfettamente azzeccata.
FENDI
Torna a sorprendere l’uomo di Fendi, con stampe e tanta pelle.
MISSONI
Un guardaroba non convenzionale ed informale per un moderno viaggiatore
PREVIEW COVER IO DONNA SPECIALE UOMO AND SCHEMA LIBERO
SETTE MAGAZINE – EN VOGUE
Men look good in white. French.
The “A history of Men’s Fashion” volume by Ferid Chenoune it’s a must for every fashion insider’s library.I refere to it a lot, not just to find inspiration for my shootings.Once I was flipping through the pages, and a picture from the 30s grabbed my attention.It was Tino Risi ( french singer and actor) in white double brested .
This portrait has a touching haze, that flawless artist’s style, that suit simply amazing.
But the total white is old fashionable and even too evocative of seaside landscapes and Riviera to be weared in the city.There is a secret to be able to wear a total white and to not seem ridicolous, a strong personality and gentle somatic traits.The rest is attitude.Beauty has nothing to do with it, it’s all about non chalance.A good way of going white it’s not to feel exceptional for wearing an exceptional outfit, otherwise you will fell everyone’s eyes on you and the awkwardness will be tangible.
At the end of the day non chalance is the key, which unfortunately is rarely proper of italian men.The model of this week’s picture is in fact french, just like Rossi.