His name’s Scott. The relationship between Larry Paul Scott as a model and as an artist is like that between Sean Connery and James Bond: like Connery has never succeeded in getting free from Bond, so Larry can’t purge him from the image of his face on the first campaign of Acqua di Giò. Then you search for him on Google and you find out that last June in Spain, in Girona, he has carried out his first photography exhibition. Scott’s photography is only in black and white, he has portrayed real people, focusing on the glamour and the trash of the nightlife of New York City, but I prefer his triptychs composed by nature, human beings and architectures, that emphasize perfection, beauty and nature. On Instagram, that by now is the most important agency for photographers in the world, you can find him as @larrypaulscott. Maybe we’ll see him again posing for fashion magazines, but as a talent, no more as a top model or, as he prefers to be defined, as an “ex top model”. Because today Larry is a great artist that deserves to be followed carefully.

Gender free trend. This week’s picture represents the origin of a kind of menstyle that, during the years, has changed its definitions but, actually, has remained the same since the 60s/70s, the same years of this picture of a young Van Dyke Parks, musician, singer and author, known mainly for his collaboration with the Beach Boys. Then, at the beginning of the new century, the “artist” (or “intellectual”) became a “nerd”. Today they are called new millenial, the avantgarde standard bearer of the “gender”. This picture, by Guy Webster, could be an adv campaign of Gucci or Prada: two opposite worlds that find a common point in representing a man that – against the rules- escapes from tradition to reveal himself in all his determination and, why not, his vulnerability.

Preppy comes back in fashion. Colours and patterns of preppy style are a foundation of menswear, that sometimes comes back in collections, with marked references to sportswear and – obviously – to colleges and british style. It’s so timeless that we find it in a movie of 1965, Break Up by Marco Ferreri, in a period – the Sixties – dominated by plain colours and Beatles-Suit mania. The movie was cut (due to a controversial commercial procedure) by the producer Carlo Ponti and included as a 30 min. episode in the movie Oggi, domani e dopodomani, with two other episodes directed by Luciano Salce and Eduardo De Filippo. To make a preppy look convincing, it has to be worn by the right man: don’t be cheated by the mediterranean and refined look of Mastroianni (that reminds to Marriage Italian Style and Il bell’Antonio): it works only worn by very anglo guys.

Leaves’ colour. In his case, that kind of photography defined as still-life couldn’t have a most suitable name. For 35 years Karl Blossfeldt (Schielo 1865 – Berlin 1932) photographed leaves, seeds and flowers. Images that the german sculptor and photographer used to show his students how nature’s shapes, adapting to environment and weather, acquire different and fascinating morphologies. Blossfeldt, indeed, said: “Plants don’t have to be evaluated with an insensitive and mere functionalism, but their shapes develop on the basis of logic and adaptation and with their primordial strenght push every part to obtain the highest artistic expression”. His first photographic volume, Unformen der Kunst, was published in 1928 and today it’s still considered so much modern, that it suggests the hazard of a new form of modern art linked to the idea of “back to the roots”. The New Futurism? By now content ourselves with wearing the colour of nature. In this season’s collections there are garments for every taste and complexion. The opera omnia of Karl Blossfeldt

The choice of the socks. In the last years socks have become a very important accessories in menswear, so much so that women often wear “men’s” crew socks. The reason could be that they’re the cheaper fashion accessories, or that designers have understood that the right choice of the socks is trendy, mainly if they have very peculiar colours, prints and textures. In Italy this is a very recent trend, while American, French and especially British care about the choice of the socks as they care about choosing shoes. It is not by chance that the British designer Paul Smith has been one of the first to propose and value coloured and printed socks, matching them in contrast with the trousers, or in the same shades. For example: plain coloured trousers with optical-checked socks, or beige glencheck trousers with darker glencheck socks. Picture taken from “A gentleman’s guide to Dress and Style” by Nick Clemens (Goodwood).