Dolce&Gabbana

SETTE MAGAZINE EN VOGUE QUELLA LUCE CHE NON HA ETA’

Some colors are timeless and they never go out of fashion. I’m not talking about white, protagonist of this week’s photo. In fact white is not even a color, it also doesn’t have black’s (overrated?) reputation, because you know what they say “you can’t go wrong wearing black”. This picture is from an Harper’s Bazaar Uomo of 1994, it shows how the reverberation of light (already emphasized by a purposely bright background)has been softened by the use of two camel nuances for the sweater, one stronger than the other. In this case, shades can help mitigate the “total white” effect, an annoying 80s peculiarity which periodically comes back being chosen by designers with recognized intellectual creative skills. The color identified as camel (which is a shade of brown-beige) instead it’s simply timeless, is one of men’s favourite colors and is highly rated anytime brought back by fashion designers as over the last couple of years; Dolce & Gabbana, Prada, Zegna and Valentino have built entire collections on its transversality.It’s a refined and reassuring fil-rouge that fits every skin tone, from the blond viking through the irish redhead to the mediterranean male. Photo by Mauro Balletti, Atesh is wearing Dries Van Noten and Dolce & Gabbana knitwear.

MONDO UOMO 1991

In the 1991, fashion editors loved to re-created the representative Dolce&Gabbana sicilian atmosphere that the two designers have been presented in them catwalks. Photo by Diego D’Alessandro. The mediterranean Top Model Antonis in a Dolce & Gabbana Total Look.

MILAN FASHION WEEK – DAY ONE

JIL SANDER

La prima vera stagione di Jil Sander: perfetta armonia tra moda e classico

CORNELIANI

Stoffe bellissime e silouhette morbide.

COSTUME NATIONAL HOMME

Flanella o nappa: grintosa, “ruvida”, e, come sempre, rock.

FRANKIE MORELLO

Nuove stampe di ispirazione architettonica.

DOLCE & GABBANA

Una straordinaria, moderna evoluzione delle origini. Sfarzosa, contemporanea, bellissima.

… Continua a leggere →

SETTE MAGAZINE EN VOGUE IL PULLOVER DENTRO O FUORI DAI PANTALONI?

I have mentioned here a few weeks ago a style very popular back in the days, sweaters tucked into pants. The social media response hasn’t been positive. To be more specific it wasn’t my intention to suggest such a look to our readers, although I was expressing my opinion about that particular outdated yet not unpleasant style from the past, which is what I usually do when I write this column. Armani and Dolce & Gabbana have been using that combination many times for advertising and fashion shows, fashion victims have been copying the style and often unfortunately with dreadful results… especially because sweaters used to be “thick” so on a full bodied figure the waistline was getting alarmingly big. We should consider that trousers used to be loose-fitting and not straight like nowadays so it was a balanced result of proportions after all. Long live to cigarette trousers! Too bad that when you stand up they stick to your socks. In conclusion, I can confirm that if the oversized trend could ever make a come back- body structure allowing- I would still appreciate the final result. In fact to tell you the truth, if my figure it’s slender enough and the sweater tight-fitting, personally, I tuck it in. In the picture, top model Greg Hansen at the Dolce & Gabbana fashion show, 1992.

SCHEMA LIBERO NUOVE ICONE

Perhaps, there aren’t anymore stars like there used to be, or maybe the seductive power of a time worn face is more likely to be reassuring than a young man one.To be honest I’m afraid the reason could be that the show business keeps churning out artist who are becoming famous overnight, often without deserving it. In fact, it’s easy to realize it by having a look at the latest fashion magazines that older man are the new icons. One example is Willem Dafoe, who has been modelling for Prada and is now on the cover of Another Magazine, portrayed by Venderperre (on the right) in a Louis Vuitton outfit. Also over 40 model Andre Van Noord, is very popular at the moment and he’s also Trussardi’s new face, photographed by Albert Watson. Such strong personalities and expressive faces really help empower the brand communication , because they are credible whatever they may wear. This kind of men evidently have the intensity that most are missing. As long as they wont wear a plaid shawl instead of a coat.