Other subversive. The cover of Style Magazine shows a kind of aesthetics we’re not used to anymore. The politically correct idea of beauty diffused nowadays has been and will be essential to convey an inclusive signal even from who, for example the fashion press, privileged a single idea of image in the past. But if we have to be inclusive, let’s include also the classic beauty (that we don’t dislike at all). On the cover, the 80s reference is pretty clear; the photographic technique, the casting, the grooming and the styling remind us the era of the beautiful and unattainable. While the clothes, by Alessandro Sartori for Ermenegildo Zegna XXX, are the combination of the contaminations and a creative path that, in the last years, have overturned the codes of conformism and tradition of a historic brand looking for contemporaneity.

Nostalgic feeling. This stolen pic by Paolo di Paolo, a kind of ante-litteram Scott Schuman, is from 1960. The man you see in it, half-lying on the raling of the Fontana dei Fiumi in Piazza Navona, is composed in his uncomposure. He is Un-Composed. Probably the jacket is buttoned even if it’s single-breasted (that shouldn’t be buttoned), because otherwise it would dangle, adding more disorder. Probably, if this picture was set today, this man wouldn’t wear anything like this. Try to imagine: unlaced sneakers, baggy sweater, jeans or gym pants. Or shorts. And, of course, instead of the newspaper, he would hold an iPhone or iPad. Don’t you miss that ‘900 style?

We’re so formal. Do we have to expect a back to formal? Yes, we do. The codes will be different, but the suit will be a trend of f/w 2019; so we can say that the most loved style – the classic, indeed – is coming back, again. To understand how fashion is a countinuous series of quotes of itself, we need a quick review: what happened in the 80s? From the street style of the 70s, all about denim, fringes and fitted shirts, the silhouette was redesigned by padded shoulders and lots of colors, lots of excess. Maybe too much. Ten years later the new diktats avoid color and prefer the total black, and slim volumes for jackets, trousers and also ties, that passes from 12cms wide to 4. What happens today: we’re coming from an extreme street-style. Well, now we’re starting to aim for more tidiness and rigor. The first signals? The blazers with visible stitching and a lot of black. Is time to wipe the suit agin. Or to buy a new one.

Yacht club. That kind of menswear inspired by the sea can be easily defined as timeless. Yes to jackets (for the yacht), windbreakers (for the sailing boat), pullover made of cotton (for both), accessories for watersports. And, for the most elegant, yes to the classic double-breasted blue navy blazer with contrasting buttons for the happy hour. Why are they timeless pieces? The striped sweater reminds us of the pictures of Dalì with Garcia Lorca in the 20s. The windbreaker reminds us of the legendary Jacques Cousteau in the documentaries of the 60s/70s. Actually, the steel cronograph can be also worn in the city, as the white trousers, that perfectly match red and blue (but never wear them all together, they immediately make think about the french flag). In terms of shoes, espadrilles are allowed only at the seaside. Jacques Cousteau on the Calypso, ex minesweeper of the Royal Navy, after a diving exploration.

The model guru. Cameron Alborzian was born in 1967, from english mother and iranian father. Between the late eighties and the early nineties he was a top model, that many of you maybe remember for Madonna’s videoclip Express Yourself. Then Cameron took an interest in natural medicine and became yoga and reflexology instructor, graduating in New York. In 2003 he moved to India, in Coimbatore, where he increased and improved his knowledge. He contributes to Huffington Post and during the years he writes for several newspapers, from The New York Times to The Times of London. I think that if today he meets Ms. Ciccone, he wouldn’t be shaken. The greatness of Cameron is a mirage for the main part of us. Cameron Alborzian photographed by Mauro Balletti in 1994 for Harper’s Bazaar Uomo.