Un omaggio ad alcune tra le più belle piazze d’Italia, di una classicità rigorosa e senza tempo, come gli outfit scelti da Carlo Ortenzi e fotografati da Michael Woolley. Qui l’abito Ermenegildo Zegna si sposa con la bolognese Piazza Santo Stefano.
That rétro touch. Without harking back to the same movies, those sporty-stylish cult-movies like the much-mentioned Chariots of Fire that made our Milena Canonero win the Academy Award for Costume Design, today we can reinterpret that college/preppy vintage taste with a modern aesthetic language. It’s possible thanks to the prompts coming from many designers, able to mix an actual feeling with a retro mood loved by anyone, less and very young. The basis to reach a pleasant and convincing styling, consists in knowing how to match with the right balance the Old with the New. How? For example using accessories bought in second-hand shops. That’s the secret. Be cool and modern but softening the potential overstatement of the clothes with linen socks, watches, rings and shoes in The Great Gatsby‘s style. Just to mention another much-mentioned movie, sometimes improperly. But not this time.
Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
