Felpa, Palm Angels, f/w 2017.

Shooting inspired by 1968 and by the misinterpreted ideologies, thanks to the release in that period of the movie Cari Compagni (that then became Il Grande Sogno, The Big Dream) with Michele Placido and Riccardo Scamarcio. Ph. Michael Woolley, Styling Alessandro Calascibetta.

His name’s Scott. The relationship between Larry Paul Scott as a model and as an artist is like that between Sean Connery and James Bond: like Connery has never succeeded in getting free from Bond, so Larry can’t purge him from the image of his face on the first campaign of Acqua di Giò. Then you search for him on Google and you find out that last June in Spain, in Girona, he has carried out his first photography exhibition. Scott’s photography is only in black and white, he has portrayed real people, focusing on the glamour and the trash of the nightlife of New York City, but I prefer his triptychs composed by nature, human beings and architectures, that emphasize perfection, beauty and nature. On Instagram, that by now is the most important agency for photographers in the world, you can find him as @larrypaulscott. Maybe we’ll see him again posing for fashion magazines, but as a talent, no more as a top model or, as he prefers to be defined, as an “ex top model”. Because today Larry is a great artist that deserves to be followed carefully.

Marsupio e Cappellino, Hermès, f/w 2017.