The invention of a new stilistic project and the conception of the way it communicates have to be grounded on three main foundations: experience, culture and intuition. Designers are often elaborating concepts that have been originated by chance: they get the idea from a picture, a color, a sentence from a book, a song…it’s hard to say why they would choose one thing instead of the other. Nobody knows the reason why, through all the audio-visual information baggage we built through the years (or even recently) something stands out compared to the rest. Although a fashion designer committs himself to a perception which he does adjust and stransform along with the stylistic developement of the collection. Some designers always get it right, others may loose their way getting distracted by commercial strategies. Normally, those who never listen to anyone but themselves make it. Hedi Slimane, after dedicating a few years to photography, is now the new creative director of Saint Laurent Paris: an air of mystery always surrounds each new project he has, nobody ever knows anything about the fashion show till the very last minute, not even the location. Slimane is a free agent, reluctant regarding attending social events, shy, quite solitary and he always seemed to go beyond all expectations: the photographs that he took for the current advertising campaing are amazing. He has detected a kind of aesthetic which is very different from the present one and has identified the image into an atemporal dimension, avoiding falling into the same old retro- rhetoric. Singer and songwriter Christopher Owens, original picture by Hedi Slimane.

Due forme d’arte che combaciano in un solo progetto: la foto “pittorica” realizzata da Mauro Balletti. In questo caso l’ispirazione erano le opere di Egon Schiele. L’impermeabile è di Burberry Prorsum e la cravatta Lanvin.

Two different types of art that fit together in a single project: a photo “painted” made by Mauro Balletti. In this case the inspiration were works by Egon Schiele.  The raincoat is by Burberry Prorsum and tie by Lanvin.

It’s James Bond’s 50th anniversary. There is nothing left to add to his proverbial elegance as a lot has already been written in the past fifty years, I could run the risk of repeating someone else’s comment. Although everyone likes the character and despite all Daniel Craig’s efforts to emulate James Bond’s famous aplomb, the truth is that through all of those years Agent 007 has always been devoted to conformism -he’s a proper english after all- from Sean Connery to Roger Moore, Pierce Brosnan and Timothy Dalton. Even George Lazenby in “On Her Majesty’s Secret Service” had to wear the same old tuxedo a part from that one scene where he’s wearing a kilt. Nothing to object to: black saves everyone, and so does a tuxedo. However, having followed the saga, I have always found more interesting the “bad guys” looks. The most stylish ones have been Christopher Walken (A View to a Kill, 1985) and Mads Mikkelsenche in Casino Royale (2006) which made his appearance clad in a reassuring, yet original monochrome ton sur ton brown suit. I’m obviously expecting a lot from the next James Bond’s enemy: Javier Barden. We shall see.