SCHEMA LIBERO CITAZIONI


Reasonably evident references, in fashion as in films, are represented as cameos. As the female heavily-bistred eye in Magnifica Presenza by Ferzan Ozpetek and the one in Profondo Rosso, directed by Dario Argento almost forty years ago, which originally belonged to Clara Calamai. As when John Travolta has been recording a crime scene by accident in Blow Up by Brian De Palma, (1981) and David Hammings has captured  the murder scene by chance, wile he was taking  pictures in Blow Up by Michelangelo Antonioni (1966) . It happened as well in the 1971 movie “Gatto a nove code“also by Dario Argento. Regarding fashion, I have been leafing through the pages of the Stone Island Archive ‘982-‘012, and the piece that got me more excited it’s a bright colored, camouflage coat which bring us back to a wonderful Yohji Yamamoto collection from 2006. Brilliant references.

FULLY INTELATO TAILORING PROGRAM

Una nuova prospettiva sartoriale, espressione di un’eleganza formale ma al contempo moderna. Un programma che coniuga un vocabolario di forme dall’appeal urbano e tecniche di alta sartoria. Un’attitudine individuale, segno di uno stile mai ostentato, sempre riconoscibile.

“Hightest quality in fabrics, sartolial excellence, modern vision, dynamic comfort, structural elegance and a sophisticated 3-dimensional form” Jil Sander

Immagine anteprima YouTube

SETTE MAGAZINE EN VOGUE STRATI PESI E FANTASIE. BELLI MA PERICOLOSI

Layers, weights and patterns, they’re nice but dangerous. A men who is gifted with personality and taste, can make an attempt mixing and matching unusual combinations without neglecting composure and sense of measure. Printed and elaborated fabrics can coexist, especially during the winter time when we can get layered. There’s a wide variety of choices but that could also be confusing, so if you feel like pushing the boundaries with an unconventional look my impartial advice would be to follow your instinct being careful not to overdo it: if it doesn’t feel comfortable it’s just better to give up. There are knitted blazers with removable linings which are as worm as a paletot, it is possible to wear them on top of a suit which should be in worsted wool and not in tweed or any other “thick” fabric, because having two similar kind of wool rubbing against each other is not flattering as it makes you look bigger. However there are some tight-fitting, sleek designed fabrics (almost optical as the twill in the picture) to wear in contrast with the jacket-coat thickness. To conclude, a small geometric patterned shirt to match the micro-windowpane check fabric of the outerwear in the same nuances would work. In this cases, to soften up such an original ensamble, one should keep the accessories classic and simple in order not to pointlessly force it. Yes, very fashionable, but with balance and common sense. Picture: knitted wool blazer by Giorgio Armani; Herringbone wool suit by Zegna.

1987 L’UOMO VOGUE

Flower power and extremely wideness. That was Yohji Yamamoto Man Fashion for the ’87 SS collection. Ph by Nadir, top models Chris Martin (left) and Stefan Ludwig.

SPRING/SUMMER 2013: The Main Trends 3

Negli accessori, sorprendono le interazioni tra classico e informale, laddove brand come Hogan – più noto nell’universo sportswear – si aprono a nuove classicità e viceversa Hermès edita splendide sneaker. Nell’abbigliamento continuano a predominare colore e fantasie, sopratutto geometriche.

FAY mood militare

ALBERTO GUARDIANI WALLPAPER* collaborazioni inedite

HERMES sneakers color blocking

HTC chiodo in pelle trattata

HOGAN new brogues in nabuk

KARL BY KARL LAGERFELD perfecto in pelle argentata

MEMENTO II chelsea boots in pitone argento: so rock

MONCLER modern globe trotter

STONE ISLAND rosso vivo in cotone trattato

PRINGLE OF SCOTLAND aviator style

CESARE PACIOTTI brogue in tessuti vintage A.N.G.E.L.O.

ERMENEGILDO ZEGNA monopetto in Silko, mischia di cotone e seta

ERMENEGILDO ZEGNA classico doppiopetto tinta unita spezzato con accessori fashion

ZZEGNA geometrie ’60