Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
FULLY INTELATO TAILORING PROGRAM
Una nuova prospettiva sartoriale, espressione di un’eleganza formale ma al contempo moderna. Un programma che coniuga un vocabolario di forme dall’appeal urbano e tecniche di alta sartoria. Un’attitudine individuale, segno di uno stile mai ostentato, sempre riconoscibile.
“Hightest quality in fabrics, sartolial excellence, modern vision, dynamic comfort, structural elegance and a sophisticated 3-dimensional form” Jil Sander
SETTE MAGAZINE EN VOGUE STRATI PESI E FANTASIE. BELLI MA PERICOLOSI
Layers, weights and patterns, they’re nice but dangerous. A men who is gifted with personality and taste, can make an attempt mixing and matching unusual combinations without neglecting composure and sense of measure. Printed and elaborated fabrics can coexist, especially during the winter time when we can get layered. There’s a wide variety of choices but that could also be confusing, so if you feel like pushing the boundaries with an unconventional look my impartial advice would be to follow your instinct being careful not to overdo it: if it doesn’t feel comfortable it’s just better to give up. There are knitted blazers with removable linings which are as worm as a paletot, it is possible to wear them on top of a suit which should be in worsted wool and not in tweed or any other “thick” fabric, because having two similar kind of wool rubbing against each other is not flattering as it makes you look bigger. However there are some tight-fitting, sleek designed fabrics (almost optical as the twill in the picture) to wear in contrast with the jacket-coat thickness. To conclude, a small geometric patterned shirt to match the micro-windowpane check fabric of the outerwear in the same nuances would work. In this cases, to soften up such an original ensamble, one should keep the accessories classic and simple in order not to pointlessly force it. Yes, very fashionable, but with balance and common sense. Picture: knitted wool blazer by Giorgio Armani; Herringbone wool suit by Zegna.
1987 L’UOMO VOGUE
Flower power and extremely wideness. That was Yohji Yamamoto Man Fashion for the ’87 SS collection. Ph by Nadir, top models Chris Martin (left) and Stefan Ludwig.
SPRING/SUMMER 2013: The Main Trends 3
Negli accessori, sorprendono le interazioni tra classico e informale, laddove brand come Hogan – più noto nell’universo sportswear – si aprono a nuove classicità e viceversa Hermès edita splendide sneaker. Nell’abbigliamento continuano a predominare colore e fantasie, sopratutto geometriche.
FAY mood militare
ALBERTO GUARDIANI WALLPAPER* collaborazioni inedite
HERMES sneakers color blocking
HTC chiodo in pelle trattata
HOGAN new brogues in nabuk
KARL BY KARL LAGERFELD perfecto in pelle argentata
MEMENTO II chelsea boots in pitone argento: so rock
MONCLER modern globe trotter
STONE ISLAND rosso vivo in cotone trattato
PRINGLE OF SCOTLAND aviator style
CESARE PACIOTTI brogue in tessuti vintage A.N.G.E.L.O.
ERMENEGILDO ZEGNA monopetto in Silko, mischia di cotone e seta
ERMENEGILDO ZEGNA classico doppiopetto tinta unita spezzato con accessori fashion
ZZEGNA geometrie ’60