SETTE MAGAZINE EN VOGUE IL PULLOVER DENTRO O FUORI DAI PANTALONI?

I have mentioned here a few weeks ago a style very popular back in the days, sweaters tucked into pants. The social media response hasn’t been positive. To be more specific it wasn’t my intention to suggest such a look to our readers, although I was expressing my opinion about that particular outdated yet not unpleasant style from the past, which is what I usually do when I write this column. Armani and Dolce & Gabbana have been using that combination many times for advertising and fashion shows, fashion victims have been copying the style and often unfortunately with dreadful results… especially because sweaters used to be “thick” so on a full bodied figure the waistline was getting alarmingly big. We should consider that trousers used to be loose-fitting and not straight like nowadays so it was a balanced result of proportions after all. Long live to cigarette trousers! Too bad that when you stand up they stick to your socks. In conclusion, I can confirm that if the oversized trend could ever make a come back- body structure allowing- I would still appreciate the final result. In fact to tell you the truth, if my figure it’s slender enough and the sweater tight-fitting, personally, I tuck it in. In the picture, top model Greg Hansen at the Dolce & Gabbana fashion show, 1992.

GOOD VS. BAD (STYLING) 2

ARENA HOMME +

 

SI Una delle mission più ardue: svellere il tabù del nudo maschile integrale. In un contesto non pretestuoso (come questo) è un’espressione artistica di classicismo fotografico.

Is one of the greatest accomplishments to break such a taboo as the male integral nude. Settled in a not specious context (like this one) it’s  an artistic expression of classicism in photography.

SI Taglio e luce magistrali. Il movimento aiuta ad attenuare il fit troppo largo a causa della taglia, che è visibilmente grande per il soggetto. Ma il risultato finale e’ bellissimo.

Exellent lightning and editing. The movement help to attenuate the fitting which is too large for the subject as the size is incorrect. Great overall result.

NO La bellezza oggettiva esiste e questa immagine non la rispecchia. Styling, posa e luci danno un effetto finale sgradevole.

Objective beauty does exist but this image doesn’t reflect it. Ungraceful result due to pose, styling and lightning.

… Continua a leggere →

SETTE MAGAZINE EN VOGUE QUELLE RIGHE SEMPRE PRIME IN CLASSIFICA

According to Wikipedia, a tie is “an occidental clothing accessory which embodies men’s elegance” and the stripe patterned ones are often erroneously denominated Regimental (when Regimental ties, in the normal sense, are only associated with membership in a particular english club or regiment). Well, striped ties have almost disappeared. Fashion codes keep adopting styles which are changing the rules periodically.The same also applies to accessories in general since one of their main purposes is to help a man’s personality to stand out. If today stripes have been replaced by different patterns as the microscopic or the garish Paisley ones, it doesn’t mean they are not the italian public’s favourite design anymore. Regimental it’s still on top of the fashion charts. In this week’s photo we have a total look Pierre Cardin from the Autumn/Winter 1992 collection. The style of the suit is very modern, realized in woolen fabric with a 40s inspired peak lapel. Perfect choice for the wing collar shirt as well. In regard to the tie, a part from the width of it which is exaggerated, the contrast between the colors works perfectly, they are very bright as they change as light reflects off the silk : back to tradition. A Pierre Cardin design, Harper’s Bazaar Uomo, 1992.

SETTE MAGAZINE EN VOGUE SE E’ LA DONNA CREATIVA A RIVESTIRE IL MASCHIO

Women who dress up men, or rather, when the designer is a woman. They would like to see us sensitive but not soppy. Elegant but not affected and masculine without showing any sign of machismo. Donatella Versace is an exception, she has been preserving the sensuality of his brother’s collections and she has been respecting not only the way he has imprinted on them but also the public’s expectations. Rei Kawakubo (Comme des Garçons)and Miuccia Prada instead, would like to see man changing their wardrobes every season: they are eclectic, intellectuals, futurists, they are also willing to change their idea of fashion however maintaining their personal style. To make ourselves understood, a piece of Prada is highly recognizable, even if colors and shapes keep changing through the years. Silvia Venturini Fendi really prefers an unconventional man, who’s bold enough to wear fur and who’s not afraid of considering frivolous undertones when he chooses his fabrics. Also Veronique Nichanian, creative director of Hermès’ menswear line since 1998, opts for traditional style coupled with dandy influences: silken shirts, silken scarves with peculiar patterns and shades like the sienna, mustard yellow and bluette. Brilliant references and innuendos which through the years built a kind of menswear designed by women that is most assuredly timeless. Picture by Marcus Gaab from M 2007. The model is wearing a Fendi Blazer and an Hermès shirt.

 

 

MONDO UOMO 1991

Gianni Versace introduced optical design in his menswear collections. After that, he had many followers. Photo by Diego D’Alessandro.