BEST EDITORIALS

HARPER’S BAZAAR UOMO 1996

Tony Ward in a cover-story. The shooting inside foresaw the obsessive and delusional atmospheres of “Fear and Loathing in Las Vegas” by Terry Gilliam. A lot of sex, a lot of drugs and little Rock’n Roll. Fashion: from above, the trousers made of ties by Moschino Cheap & Chic, a Calugi e Giannelli suit and the synthetic T-Shirt by Enrico Coveri. Pictures by Giorgio Scola.

STYLE MAGAZINE 2008

Anglo-Saxon beauty and dandy mood: a classic by Michael Woolley. Styling Luca Roscini.

HARPER’S BAZAAR UOMO 1996

Siamo nel pieno degli anni Novanta: dominano la scena i tessuti sintetici di derivazione sportiva e camicie e polo super attillate. I designer più sperimentali sbirciano i disegni/fantasia del prêt-à-porter e li trasportano sul menswear. Foto Rennio Maifredi, Styling Alessandro Calascibetta, Polo Carol Christian Poell e pantaloni Katharine Hamnett.

In full Nineties: synthetic fabric from sportswear and very tight-fitting shirts/polos hold the stage. The most experimental designers peek prêt-à-porter’s patterns/prints and carry them in menswear. Ph Rennio Maifredi, Styling Alessandro Calascibetta, Polo shirt Carol Christian Poell and trousers Katharine Hamnett.

HARPER’S BAZAAR UOMO 1994

A scenographic interpretation of Jean-Paul Gaultier‘s fashion by Marco Lanza for Harper’s Bazaar Uomo with one of the most popular top models of those years: Cameron (he was in the Madonna’s video “Express Yourself”). Art Direction Alessandro Calascibetta. This picture will be in the catalogue of the Gaultier exhibition starting on April 1st 2015 at Grand Palais, Paris.  

 

MONDO UOMO 1991

The first steps of Dolce&Gabbana in menswear. That style of neorealist movies that led them to success: tank top, pure white shirt and baggy trousers; the model is Antonis, one of the top of that moment. Ph. Diego D’Alessandro.