Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
Archivio di settembre, 2012
M LUGLIO 2006
Stile Grunge riletto da Jean Paul Gaultier con lo styling di Serge Girardi. La foto è di Matthew Brookes.
Grunge style reinterpreted by Jean Paul Gaultier with the styling of Serge Girardi. The picture is made by Matthew Brookes.
SETTE MAGAZINE EN VOGUE L’IRRESISTIBILE FASCINO DEL CARDIGAN
The most common alternative to a suit it’s a cardigan, which is a buttoned pullover. A woolen blazer instead of one made of cloth, makes your outfit look less severe, and helps you get a soft, reassuring figure. I only recommend not to wear this outfit if you want to dress to impress or if you’e about to have a meeting where you wish to show how confident and professional you are. In that case you should go for a suit. A short cardigan sweater, Is more related to a classic way of dressing, it defines your body structure and it always works, even for those shorter than average height. A longer cardigan which goes down over your belt, would fit more taller non-skinny men. Less common and more modern but harder to match (Never wear it with close fitting trousers for example). Giorgio Armani has been proposing it so many times because it well represents the Armani-man’s identity: not taller than 1.85 cm, with big shoulders and strong legs.You can see the result from yourself in the picture: it’s a timeless look. Hard to resist. Picture taken with Instagram from a 2001 “Uomo” editorial. Original picture by Norman Watson.
L’UOMO VOGUE SETTEMBRE 1986
Questo scatto di Peter Lindbergh fa parte di un monografico dedicato alla Cina uscito nell’autunno del 1986. Le stringate in pelle scamosciata con para alta di Cesare Paciotti erano un must dell’epoca. Il trench-coat di Reporter con le maniche ampie sarebbe giustissimo per oggi.
This shot by Peter Lindbergh is part of a Monograph on China released in the fall of 1986. The lace up shoes in suede with an high para by Cesare Paciotti were a must of the time. The trench-coat by Reporter with wide sleeves would be perfect also today.